Sublime Poetry: The Met Presents First U.S. Raphael Retrospective

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Renaissance titan Raphael, who died at the age of 37, left an outsized legacy in the history of art for one so young. It’s surprising that “Raphael: Sublime Poetry,” which opens March 29 at The Metropolitan Museum of Art (The Met), in New York City, and runs through June 28, marks the first comprehensive U.S. retrospective of the master’s work. For an artist synonymous with the pinnacle of High Renaissance art and architecture, the honor feels long overdue.

The School of Athens (1511; fresco, 18 x 25 1/4 feet) by Raffaello di Giovanni Santi
Credit: Apostolic Palace, Pinacoteca Ambrosiana, Vatican Museums, 6306a Wikimedia commons

The fact that Raffaello di Giovanni Santi (Italian, 1483–1520) is known simply as Raphael acknowledges that this 15th-century artist has reached iconic status along with other giants of art history such as Michelangelo, Rembrandt, Van Gogh, and Picasso. Raphael’s short life overlapped two other Masters of the Renaissance— Leonardo da Vinci (Italian, 1452–1519) and Michaelangelo (Italian, 1475–1564), both of whom were older and lived longer than Raphael. This gave them a greater opportunity to produce more work in the fields of painting, architecture and design—creative arenas in which they all competed.

Leaving a Legacy

The U.S. exhibition, which brings together more than 200 of the artist’s greatest masterpieces and rarely seen treasures, offers a groundbreaking look at the brilliance and legacy of Raphael. “The seven-year journey of putting together this exhibition has been an extraordinary chance to reframe my understanding of this monumental artist,” says Carmen Bambach, the Marica F. and Jan T. Vilcek Curator in The Met’s Department of Drawings and Prints. “It’s a thrilling opportunity to engage with his unique artistic personality through the visual power, intellectual depth and tenderness of his imagery.”

The Virgin and Child with Infant Saint John the Baptist in a Landscape (The Alba Madonna) (ca 1509–11; oil on canvas, [transferred from wood]) by Raffaello di Giovanni Santi Credit: National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection (1937.1.24) Courtesy National Gallery of Art, Washington, D.C.

The Head and Hands of Two Apostles (“Auxiliary Cartoon” for the Transfiguration) (ca 1519–20; black chalk, traces of white gouache highlights, drawn freehand over pounce marks [spolvero underdrawing] on laid paper) by Raffaello di Giovanni Santi Credit: Ashmolean Museum, Oxford, Presented by a Body of Subscribers in 1846 (WA1846.209) Image © Ashmolean Museum, University of Oxford

The Ecstasy of Saint Cecilia with Saints Paul, John the Evangelist, Augustine, and Mary Magdalene (ca 1515–16; oil on canvas, transferred from wood) by Raffaello di Giovanni Santi Credit: Polo Museale dell’Emilia Romagna, Pinacoteca Nazionale, Bologna (577) Image: Scala / Art Resource, NY

Saint Catherine in Three-Quarter Length (cartoon for the painting in the National Gallery, London) (ca 1507; charcoal, black chalk, highlighted with white gouache and white chalk, on four sheets of paper glued with overlapping seams [original paper support], outlines pricked for transfer of the design) by Raffaello di Giovanni Santi Credit: Musée du Louvre, Paris, département des Arts graphiques (3871) Image © RMN-Grand Palais / Art Resource, NY photo by Michel Urtado

Portrait of Baldassarre Castiglione (1514–16; oil on canvas) by Raffaello di Giovanni Santi Credit: Musée du Louvre, Paris, département des Peintures (611 [MR 437]) Image © RMN-Grand Palais / Art Resource, NY

Portrait of a Lady with a Unicorn (1505–06; oil on canvas, transferred from wood) by Raffaello di Giovanni Santi Credit: Galleria Borghese, Rome (371) Image © Galleria Borghese, photo by Mauro Coen